[2] Creating Community in the Name of the Moon feat. Victoria Johnson of Sailor Moon Fan Club
In this episode of Culture by Culture, Delia interviews host of Sailor Moon Fan Club, Victoria Johnson. They discuss creating a podcast and fostering community around pop-culture, nerdy origins, Sam Okyere, Victoria’s favorite K-dramas, fanning responsibly, and Barbie! What was your first fandom?
Things discussed in this episode:
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Anime/Animation: Sailor Moon, One Piece, Dragon Ball franchise, Avatar the Last Airbender
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Famous folks: Megan thee Stallion, Michael B. Jordan, Sam Okyere, Saweetie, Serena
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K-dramas: Victoria’s Top 5(?) – Boys Over Flowers, My Lovely Sam Soon, City Hunter, My Love From Another Star, Descendants of the Sun
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K-pop: DEAN (딘), Rain (비)
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Movies: Godzilla, kung fu movies, Shaw Brothers Studio, Bruce Lee, Green Hornet
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Saga
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Barbie
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Lisa Frank
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Pretty Guardian Sailor Moon
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gender dynamics in anime
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Traveling to Seoul, Busan, and Tokyo
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fanning responsibly
Guest
This episode’s guest, is Victoria Johnson aka Sailor Victoria! Victoria is a podcast host, pop-culture journalist, and lover of Korean dramas! You can find her in these places:
Find us online:
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Website: culturexpodcast.com
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Patreon: patreon.com/culturebyculture
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Instagram: instagram.com/culturexpodcast/
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Twitter: twitter.com/culturexpodcast
Credits
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Host, Executive Producer, Editor, Engineer: DeliaTwitter: @deliaistyping, Instagram: @deliaistyping, Website: deliaistyping.com
About Culture by Culture
Culture by Culture is a multidimensional podcast exploration into Black and Asian pop-cultural ties. Part sociology, history, and pop-culture podcast, it covers everything from deep-dives into our favorite gateway media, interviews with experts to help guide us through our historical and current cultural connections, and conversations with fellow nerds digging into our cultural identities and our pop-cultural interests.Our mission is to understand and foster the unity that has historically existed between our cultures through our shared interests in each other’s pop-culture.
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D: Hey there! Welcome to Culture by Culture, a multi-dimensional exploration of Black and
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Asian pop cultural ties. I’m your Sailor Guardian host, Delia, and today I am so excited
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to be joined by the host of Sailor Moon Fan Club, Victoria Johnson, aka Sailor Victoria.
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Go ahead and introduce yourself, Victoria.
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V: Hi! I’m so excited to be here. I’m Victoria, Sailor Victoria, however you want to say it,
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host of the Sailor Moon Fan Club, pop culture journalist, and lover of Korean dramas, which
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hopefully you’ll get to talk a little bit about today.
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D: I would love to talk to you about K-dramas. We will get to it. I literally just before
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this was in the middle of watching a K-drama and I was like, okay, we have to pause, we
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have to get ready, we have to record the podcast.
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V: So addictive. It’s so addictive.
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D: It’s such a problem. I think I tweeted about it the other day. I’m in the middle of launching
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this podcast. I have a big, huge, long to-do list and my brain is like, well, what if we
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just started a K-drama to binge right now?
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V: Yeah, same.
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D: That’s a problem, I think, with getting into creating as a nerd is that you’re still a
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nerd. So you’re still going to try and make time for those things and the balance is real
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difficult.
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V: Yeah. Like you want to consume the media, but also like you need to like create content
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too and do all the other stuff you need to do. But you still want to like go to the cons
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and enjoy yourself or like watch stuff and read stuff. It’s so much to keep up with.
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D: It’s so much to keep up with. There’s only 24 hours in the day and it’s just not enough.
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I used to think if I ever was able to make this a bigger part of my hobby or work part
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time, there’d be so much more time. But the way I think creative brains work is you just
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fill the time.
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V: Yep. Yeah. It’s like, oh, I have some spare hours. Let me watch a few episodes of One
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Piece or whatever.
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D: Exactly. Exactly. So I wanted to know, actually, you kind of mentioned some stuff already.
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Everybody knows that you’re into Sailor Moon and we’re going to talk about that too because
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selfishly I need to talk about Sailor Moon. It’s a need. But I do want to know just more
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generally what fandom spaces you currently occupy. Maybe some that people aren’t as familiar
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with in your work.
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V: Yeah. And I always want to talk about Sailor Moon. So I’m excited for that too. But obviously,
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yeah, Sailor Moon, I have the entire podcast dedicated to the show. I’m a big One Piece
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fan too. I’ve been watching since 2010, I think.
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D: Whoa.
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V: Yeah. So that’s a big part of my life. What else? What else? What else? I mean, I love
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K-dramas as a whole. I’ve kind of fallen off in the past few years, but there was a time
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where I was deep into the K-drama life and even went to South Korea.
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D: I would love, love, love, love to go.
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V: Yeah. It was pretty cool. I also love Saga, which is a comic book with Image Comics. It’s
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really cool. I feel like I’ll stop there because I’m going to just keep naming stuff. And I’m
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going to put it just there. I feel like those are the top ones though.
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D: That is so interesting. I, you know, people say One Piece is so good. My dad, he really
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enjoyed One Piece, but there’s so many episodes. So when you said you watched One Piece, I
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was like, oh, when did you start? But I guess you’ve just been kind of, you’ve had the time.
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V: Yeah. I mean, and it’s been off and on since then. Like, so I didn’t like catch up in 2010.
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So I watched up until like maybe 60 something then. And then like later on, I got up to
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like a hundred and something. And then I stopped for a few years and I benched up until like
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600, like one year. And then stopped for a few years and came back and actually just
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caught up on New Year’s Eve last year.
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D: Wow. I have so much respect for people who put in that kind of time, I would love to. It
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really seems like a show that’s up my alley, but I just don’t know when I will put in that
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kind of time. But who knows? Stay tuned, I suppose. Everybody.
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V: I’ve chipped at it little by little over time for me, 10 years time. But, D: You know, if you
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really have the dedication, what would you say was your first fandom?
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V: Ooh, I want to say actually probably because I actually went through my old stuff at my
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mom’s house recently. So I’ve been really– this is a perfect time to ask because I think
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originally I would say like Sarah Boone Dragon Ball Z. But even before that, I think Barbie
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and Lisa Frank, if those count.
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D: Oh my word. I love, oh, I should have, I almost wore it, but I have these Lisa Frank crew
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necks and they’re covered in Lisa Frank print. I love them. I love Lisa Frank. That is so
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interesting to me because I feel like aesthetically that is still very much magical girl aesthetics
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kind of like it feels like a precursor.
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V: Definitely. Yeah. And it’s so funny to me because I remember being younger and being
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like, I don’t like pink. Pink is for girls. And I’m looking at all this stuff I was like
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playing with or like that I liked and it was all very extremely girly. And I’m like, I
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don’t know who I thought I was fooling. Clearly just myself. But– D: I definitely was that way.
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I was very, I very much got into not like other girls phase or whatever. But when I
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actually looked back to my actual childhood girl. V: Yeah, exactly. It’s like, sure, Jan.
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Very much so. I used to love the Barbie computer games, played all of them. Super excited for
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this movie. I love computer games in general, just growing up. I feel like that might be
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a first fandom. But yeah, definitely Barbie and Lisa Frank. I had all the stickers. D: What
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do you think was the biggest influence on your interest in those fandoms? Alternatively,
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what influenced you to move away from that aesthetic?
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V: Yeah, that’s a great question. I mean, I think partially it’s I had older cousins, like you
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might say older, they’re like one or two years older. They were definitely like into it.
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I think like we all used to hang out and I don’t know who got into it first. But I feel
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like there was definitely some like we’re influencing each other things kind of going
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on here. And then also just like, I think with Lisa Frank, obviously, just the colors
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with Barbie, it was, I guess something that like felt like it was geared towards me, but
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also something that was fun and interesting and like challenging. And then with Sailor
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Moon and Dragon Ball Z, I just got into it, you know, by watching it on Toonami, my brother
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actually but Sailor Moon, he just came out of his room one time, like there’s a show
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coming on you might like, because he’s grew up watching anime, because he grew up in the
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80s. D: Oh, very cool. V: Yeah. And so I was just like, okay, I’ll watch it. And then I ended
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up loving it, of course, and then like stayed on and watched Dragon Ball Z, which came on
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afterwards on Toonami. And I think for Barbie, I think I just kind of grew out of it a little
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bit just like once I reached maybe 12 or 10 somewhere around there, maybe even earlier,
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where you just kind of stop playing with Barbies or stop knowing people who play with Barbies,
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moving away from computer games in general, moving to like more console based stuff. So
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I’m sure if like Barbie had like games on the console, I probably would have kept with
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it. I’m sure they do. But if like I knew about it or had them– D: decent games rather V: decent
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games, maybe that’s a better term, like, but like if a Barbie game was released for the
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Switch like today, I would get it and I got the Bratz game, D: Man, I feel like the 90s,
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for better or worse, were so good at merge tie ins and really just having when there
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was a movie or big pop culture event, you were going to get the toys, you’re going to
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get the video games, you were going to get all of it. You saying if there was a Barbie
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Switch game, I’m thinking the Barbie movies coming out now would be the time that would
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be amazing. It would be perfect. And I’m like, why isn’t this a thing? Because the demographic
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is there. Like I’m here. Like I will play it. I will buy it. Day one. V: The movie’s been
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kind of like reigniting that love and making me remember that I was like, oh, yeah, this
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was a thing. Like I did like have Barbie dolls and played all the video games and watched
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the movies. So I’m like, huh, give me something now.
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D: I think it’s interesting that you really hooked into Sailor Moon because for me, the reason
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I waited so long to watch it was because I went through the unfortunate I’m not like
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other girls phase. So I was like, oh, I’m going to watch Inuyasha and Dragon Ball and
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all these other animes because again, not like other girls. And I just thought of Sailor
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Moon as this girly show. Not that I didn’t have friends who watched it. I did. I just
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refused for whatever reason. Very much to be clear, blocking my own blessings to be
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sure. Regrets. I have them. So I just wonder how that show still reached you and resonated
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with you, even though you had maybe moved kind of past that time in your life where
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other media like that wasn’t resonating with you.
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V: Yeah, I don’t know. Honestly, I mean, I guess part of it was maybe because my brother was
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suggesting it. So maybe I just didn’t code it as like, this is something for girls. And
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also, I grew up where like, even though in my head, I was like, oh, pink girls, I want
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to be different. I like grew up within a family very fortunately where men, girls and boys
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or whatever would like do both things. Like all my girl cousins are playing video games,
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you know, and so I never really learned like this is for guys and this is for girls. Not
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in that way, at least. I mean, obviously, like there’s always some kind of gender brainwashing
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going on. But at least with video games and nerd stuff, I never got that as much. And
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I think I think having my brother maybe suggest it maybe maybe not think it was like, this
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is a girl thing. Maybe I don’t know. That’s something I think of.
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D: I’m very curious about your family and growing up being into anime and nerdy things, because
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it sounds like potentially and you can explain your family might be very similar to mine.
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Growing up, and I talked about this in the last podcast episode, my family was very supportive
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of nerd pursuits, if you will, like we all played video games with my mom, my dad, me.
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And it was my dad that got me into anime and video games to begin with. So I was wondering
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how your family viewed your interests. And it sounds like they might have had the same
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interest or at least were supportive.
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V: So I would say more supportive for sure. Like my parents are not into any nerd things, really.
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I mean, now it’s funny, they’re kind of getting into stuff like my mom watches like the Netflix
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Marvel shows now. And I’m like, who are you? And then my dad, like he watched The Last
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of Us or like stuff like that. But like overall, like they’re not video games, comic books
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people. But my brothers are, I think up until like we were teenagers, we’re all kind of
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like video games, comic books, all into that. Yeah, I definitely grew up with like an environment
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that was more supportive than not. But it wasn’t until like I’m older, like my mom would
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be like, you’re still into that? You’re still into this? And not in any like negative way,
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but just like genuinely confused or like, why? Like you still watch Sailor Moon? And
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now she gets it because she’s she knows about the podcast and she’s like, okay, but for
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a while she’s like, you still like Sailor Moon? Because I would be asking for something
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Sailor Moon. I think I’ve asked for something Sailor Moon for like each birthday and Christmas
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since I was like six.
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D: That is very relatable. For a while, that’s how it was with Harry Potter and me, but we
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have broken up. So not as much anymore. But at this point, yeah, my family is all very
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nerdy. They’ve always been very nerdy. And it feels like as time goes on, they get even
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more nerdy, like in ways that I couldn’t predict. But I think it’s very, I don’t know, rare.
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I mean, the reason I created this podcast is because I’m interested in these intersections.
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But I know a lot of my friends growing up, especially my friends that were minorities,
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black, Latinx, they didn’t really have that. They very much were not understood for their
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interest at home and had a real hard time. And I feel like our experience is more rare.
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V: Yeah, it definitely is. It definitely is. I think especially for like people who cosplay,
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I wonder how my parents would have reacted if I wanted to cosplay like as a teenager.
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Yeah, I think there is, especially with anime specifically, I think there’s like, oh, what
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are you watching? Why is this person half naked?
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D: Why do the girls look like that?
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V: Right. Is that a demon? What? So yeah, I think we’re definitely a rarity to have like family
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that like gets it.
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D: I agree. What do you think it was about Sailor Moon specifically, but anime in general that
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resonated so much with you growing up?
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V: I think it was the first time I watched something that was animated that actually had like a
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continuous storyline. So like with you know, I was watching probably like Doug at the time
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or Hey Arnold, you know, those shows are great. But like, you know, you could watch them whenever.
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But with Dragon Ball Z and Sailor Moon, it was like you had to tune in every day. It’s
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like, no, it was gonna happen next. And like, they were so good with cliffhangers. And it
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just really made you just want to tune in and keep watching. And I think that’s what
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took me along with just like both of them having really interesting storylines. I usually
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talk about them both because I was really watching both at the same time. But Sailor
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Moon is the one that stuck with me more. And probably because it went away and Dragon Ball
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kind of stayed around. And I was like, I can watch you anytime.
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D: Yeah, Sailor Moon was much more elusive for a while. I feel like it was. V: Yeah. After it
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like went off Toonami, like you couldn’t really find it anywhere. And I ended up finding them
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finding DVDs on like some random site a few years later and buying them. So I had them
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to rewatch then but it was really hard to find for a little bit. And then it just kind
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of like disappeared. Like you’re gonna find any merch for a little while.
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D: I definitely feel like that’s on sexism to be honest, because like I said, growing up
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in anime nerd spaces, it very much was as popular among the people as Dragon Ball, but
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the demographics were different. So I very much feel like that contributed to how elusive
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it was.
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V: I completely agree. Because yeah, it makes it makes no sense. Because most guys I talked
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to were like, yeah, I was watching Sailor Moon too. Yeah, I just didn’t talk about it.
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You know, and a lot of girls I know were watching it. And it’s like, it was getting views. It
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was definitely one of the most popular shows.
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D: But exactly. But it’s taken the anime landscape so long in general to catch up to the demographics
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that are interested in it. Not only talking about the gender demographics, but also people
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of many backgrounds watch anime and I think it took them a while to realize that I guess.
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V: Yeah, yeah, somehow.
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D: Somehow, somehow it took them so long. So strange. I guess that’s a good segue into
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I was wondering about Sailor Moon fan club and the catalyst for creating it.
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V: Yeah, so it was kind of, that is a good like segue because it was kind of because of that
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reason where I felt like there was so much conversation around shonen anime or manga
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that I was just like, there’s so much magical girl stuff out there that no one I don’t hear
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a lot of people talk about. Like people talk about it, but there’s no, not a lot of podcasts
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about it. There’s not a lot of discussion around it. And like, there are like hundreds
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of magical girls shows. And so I originally wanted to do a magical girls show to kind
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of like combat that a little bit. And then I realized that’s gonna be a lot of work.
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I have a full time job. I’m tired most of the day. Anyways. And then there were a lot
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of shows that I hadn’t seen. So I’ve seen some, but if I wanted to do it right, and
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like wanted to do each episode on a different magical girls show, like that was just going
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to take a lot more time and energy. So I had to get real with myself and then realize that
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like, I could talk about Sailor Moon all day. And so that’s when I decided to narrow the
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focus and just make it a little more niche and do a Sailor Moon podcast, especially because
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a lot of the guests that we’re finding were more Sailor Moon fans rather than magical
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girls fans. That’s when I decided to narrow it to Sailor Moon. And it just kind of came
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together from there. And like everything was like clicking when I was trying to do the
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magical girls show, I was like, all right, what are we going to talk about? What are
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the segments? What’s it going to be about? Like, who can I get? And then when I decided
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to do Sailor Moon, I was like, oh, I’ll call it Sailor Moon fan club. And at the end, we’ll
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do like, everyone can create a Sailor Moon says phrase at the end and all this stuff.
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And it just like flowed and I was like, okay, this is this is the idea. And it’s just been
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really great so far. Like, it’s something I didn’t realize that like was needed in the
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Sailor Moon fan base. A lot of people have credited with like kind of creating a community
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for like, especially Black Sailor Moon fans. D: Absolutely. V: It’s been really great. Just things
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I wasn’t expecting to come from it have come and I’m just like, this is so awesome. D: Before
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I even started watching Sailor Moon, like it was the thing that was on my to do list.
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I heard of your podcast before that, I think, because Connie, who we both know, yes, was
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on and I was just blown away a because your graphics look so cute. They’re so cute. I
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just need you to know that. But also, I just you could very clearly see this community
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around it. Like you, you can tell when there are people who are just putting podcasts out,
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which you know, nothing, nothing wrong with that creators got create, we’re all doing
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our best. But you can tell when somebody successfully built a community just with like how they’re
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engaging and the engagement they’re getting back. And I was just kind of taken aback and
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impressed by how well you had, whether on purpose or not, or by, you know, happy happenstance,
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you know, seen a need and were able to fill it because clearly people came out of the
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woodwork. That’s how it appears. People came out of the woodwork like, yes, this is the
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space I’ve needed. V: Yeah, no, it’s total happenstance because like, I was just like, I just want
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to talk about Sailor Moon with cool people. And people are like, Oh my god, we didn’t
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know we needed this or we needed this. And thank you so much for like making it. Has
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there been any challenges with curating that space and creating that community around the
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podcast? I think I mean, well, I launched in March 2020. D: Oh, no. V: Yeah, so I came up
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with the idea in like January 2020. And I was like, I’m gonna launch in March because
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that’s when Naoko Takoji’s birthday is and like the Sailor Moon anniversary is I was
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like, perfect. Perfect. D: What could go wrong? V: Right? What could possibly go wrong in March
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2020? And of course, the pandemic happens. And so I wanted to do like a whole like little
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launch party at a bar and like all these things. D: That would have been so cute. V: Yeah. And you know, I had ideas for
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like meetups and none of that happened. But luckily, I mean, this year, things seem to
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be kind of opening up people are feeling more comfortable going out. And you know, we have
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masks so quickly and we have vaccines. So planning, hopefully some stuff this year and
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maybe next year and trying to get my toes wet. D: It would really make things difficult
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because you know, you I don’t know if people realize how much planning goes into a podcast,
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you really build up what it’s going to look like what it’s gonna what the trajectory is
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going to be. And so I can’t imagine having you know, so much hinging on like in person
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stuff and that just being no, you can’t do it. Sorry. V: Yeah, yeah. I mean, the pandemic
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was horrible is horrible. But I think in some ways, it did work to my advantage. Because
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I think that’s a large part why I was able to get like, Saweetie on the show is because
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everyone was home, there were things like that, that I guess did help. But at the same
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time, it was like, boo. I think the other thing, I mean, gets to be real real is, you
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know, just funding. I think I’ve gotten one ad on the show before. And I just like, come
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on, guys, it’s a great show. Give me sponsorship. D: It’s it’s it’s hard out here being a solo
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creator, you gotta you gotta just give yourself space. V: So I appreciate that. I always need
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to hear that. So thanks. D: Absolutely. I mean, we’re doing what we can. And like we were
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talking about earlier, there’s so much you want to do as a nerd. Also, you want to take
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in the content, you want to experience the things in real life just for you. And then
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there’s the creating content side of it. So there’s only 24 hours. So we got to give ourselves
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grace because we’re all doing our best. V: That is so true. And then on top of like cooking
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and cleaning and being an adult, D: Being an adult! V: and seeing friends, if you can. D: I guess
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I was curious, do you ever feel limited by the space you’ve carved out in fandom? Because
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I know you said you imagine doing a podcast that had a broader focus, but that comes with
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its own challenges. But I do wonder, have you ever felt limited by the scope of what
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you’ve curated for yourself? And how do you deal with that, if you have? V: Sometimes only
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because like there’s been certain guests or some people I would just love to talk to,
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like thinking like Megan Thee Stallion, who’s like a huge anime fan, but she’s not necessarily
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a Sailor Moon fan. And so I’m like, how can I get her on my show? Because like it just,
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or like even like a Michael B. Jordan, I’m like, I’d love to have Michael B. Jordan on
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the show, but like he’s, he’s never watched Sailor Moon as far as I know. So like times
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like that, I feel a little like I wish I would have done something maybe a little more general,
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but then I’m like, but then I wouldn’t have the specialty of like the niche of Sailor
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Moon or even like Serena Williams, I think is a Sailor Moon, or not a Sailor Moon fan,
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an anime fan. And she loves Avatar The Last Airbender. : How did I not know this? V: She even
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voiced a character in Korra, like a small role, a very small role. D: You know what, I
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do think I knew that. I haven’t seen Korra. It’s on my to do list everyone. It is. I have
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friends who yell at me regularly. V: No judgment from me. D: But I love Avatar The Last Airbender.
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Like definitely top fandom. I have a lot of art behind me that’s Avatar The Last Airbender
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love. I didn’t know that. See, that would be a dream. V: It would be, but I’m like, I can’t
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get her on my mind. So even if I, even if I could, even if she said yes. D: Just maybe
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do a little temporary spin off. I’ve been low key thinking of that, of like one episode
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spin off just so I could get one person on. I can do Avatar The Last Airbender fan club
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one episode. D: We do what we got to do is content creators. V: Listen, because I’m like, I just want to talk
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to Serena Williams. That’s all I want. D: I would help promo the heck out of that because that
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would be so good to listen to. V: Thank you. Yeah. I mean, fingers crossed. D: We did talk
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about in the lead up to the podcast, we’re kind of getting into the K-drama of it all,
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but in general, you did express in your own interest in Black and Asian pop cultural ties,
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which I said before we started recording, a lot of people since I announced the podcast
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have expressed that they too have noticed these pop-cultural ties. And I was so surprised
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because I’ve always had this interest and haven’t been able to really find outlets for
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it. So I was like, I guess I just got to make a podcast about it because that’s what I do,
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I guess. But I’m so curious as I’m hearing people tell their stories, like, where did
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you first notice these connections and what made you interested in them?
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V: Ooh, that is a great question. And I feel like I should know this. Maybe it was around
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the time when DEAN came out and also Rain in general, and visiting a lot of Korean coffee
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shops actually. So this is like circa grad school to air for me. So like 2013, 2014.
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And so I would go to coffee shops a lot to get work done. And I went to grad school near
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Korea town and I was into Korean dramas already. So whatever. But I just remember people talking
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about how like 90s R&B inspired DEAN and then thinking about like, I think Rain had like
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Black women in his, or Black woman in one of his music videos. And I just remember like
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when I got into K-dramas and K-pop, a lot of the content creators I was finding were
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Black as well. And I just didn’t see other groups of people diving into the Korean culture
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as much as Black people at the time, it felt like. Because I was just like, man, like we
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are really in this. Like it was just like every content creator I knew, like they’re
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actually making groups, they’re moving to Korea. And then like on the other hand, like
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seeing like Korean pop artists being inspired by like 90s Black R&B artists and you know,
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like bringing Black people into their music videos or like being inspired by like music,
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I guess mostly. Or even culture, because I mean, the slang and everything, but and rap.
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D: Yes, very much the rap of it all. That’s so interesting to me because I have like, I’ve
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noticed similar when I started getting into K-dramas and things like that, it was a lot
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of like Black people I knew were like, oh my gosh, same. And I think the first person
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who ever recommended K-dramas to me back in high school was Mexican. And they were hard
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to find at the time. It’s not until being really into K-dramas that I interacted with
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a lot of white fans. So I feel like it’s one of the first fandom spaces where I entered.
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And immediately it wasn’t just like a white fandom space, you know. And that’s so interesting
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to me because I’ve fandomed them a lot of things. And that has not happened.
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V: That’s a good point. Yeah, I think that was the other thing. Like, I’m realizing now after
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you said it, that it was probably the first fandom I went into that didn’t feel overwhelmingly
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white. And a Bangladeshi girl introduced me to K-dramas. And so it’s like, I really, it’s
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not that like, I don’t think there are white people interested in K-dramas. I know that’s
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a fact, but I don’t know anyone.
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D: And I don’t think I would have been able to speak to it exactly until you mentioned it.
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Like, that is so true. I watched so many YouTubers, some who aren’t active anymore, who were into
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K-pop, K-dramas. They were all Black for the most part. Again, my friends and people in
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real life. And I just think that’s really cool. I do know people who don’t necessarily are
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into those things and are kind of viewing it, you know, top down from the outside, don’t
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really understand. They see the problematic aspects of the cultural exchange, which do
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happen. Let’s not pretend that they don’t. But I just think it’s so compelling that there’s
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a lot of points of connection that are positive. It was already fascinating to me, but it’s
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so fascinating to me that I’m not the only one that’s noticed.
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V: Yeah, yeah. I mean, yeah.
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D: You said it was back 2013, 2014, that you were really into K-dramas. This was like peak
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time for you. What was your, just out of curiosity, your first K-drama and maybe your favorite
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K-drama?
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V: Yeah. So, I mean, well, I got into K-dramas in 2010. And then like up until like 2016,
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I would say like that was like a, I probably was only almost solely watching K-dramas with
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maybe like Scandal and some other shows. But my first one was Boys Over Flowers, which
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is most people’s. Yeah. So that’s the one. And it’s funny because Sailor Moon actually
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got me into K-dramas in one way or another because-
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D: Oh please say more.
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V: So of course, like Sailor Moon fans, I’ve watched PGSM, which is a live action Sailor
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Moon Japanese show. And then that made me want to watch more J-dramas. I watched Nobito
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Produce, which is pretty good. And then I was telling one of my friends about it,
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a Bangladeshi woman. I went to college, I was actually roommates with her my freshman
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year of college. And I was like, oh, you should really watch the show because we’re both like
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into international stuff and like just like open-minded people. And she was just like,
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oh, if you like J-dramas, you should check out Korean dramas. And I was like, what is
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that? Tell me more. She’s like, check out Boys Over Flowers. Literally watched, started
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watching it that day. It was like a Friday, I think. And she went home to like, she lived
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in Long Island and I binge-ed it that entire night. I probably went to sleep and finished
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the show like within 24 hours, maybe, well maybe not 24 hours, but then 48 hours. I was
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done with that show and I was like, what else is out there? And that just like started a
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whole lifelong journey of K-drama love.
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D: I love that. I’m way more new to the K-drama space. I think 2019 maybe? I fell hard and
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fast. That seems to be the very constant in K-drama fans. It’s hard and fast. I think
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it’s interesting you started at J-dramas. I haven’t watched any other Asian dramas,
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mostly because I started learning Korean and I was like, well, K-dramas count as studying.
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It doesn’t for the record, but that’s how I reconciled it in my head. So even though
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I have interests, like I have a list of potential J-dramas, C-dramas that I want to watch, I
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just haven’t because I’m like, it’s not really giving me anything, which is a problematic
356
00:26:38,200 –> 00:26:42,900
way to think, but I do want to. And maybe I’m hoping like the podcast will push me out
357
00:26:42,900 –> 00:26:47,800
of my K-drama comfort zone, but I am firmly there. Do you have a favorite drama that you’ve
358
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seen?
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00:26:48,800 –> 00:26:53,000
V: Oh gosh, there’s so many. The Boys Over Flowers stayed as a favorite. I love Lee Minho in general,
360
00:26:53,000 –> 00:26:58,020
so I watch mostly anything he’s in. Goblin, because I also love Gong Yoo and I will watch
361
00:26:58,020 –> 00:26:59,020
anything he’s in.
362
00:26:59,020 –> 00:27:00,020
D: Same.
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Which I’m so happy to see him like getting some shine over in the US now.
364
00:27:06,740 –> 00:27:09,780
D: So deserved. I, that man.
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V: Yeah, he is very attractive.
366
00:27:11,460 –> 00:27:13,020
D: He’s a beautiful man.
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00:27:13,020 –> 00:27:20,020
V: He is. Yeah. Oh, okay. Here we go. I do have a list. So my top 5 K-dramas are, well, at
368
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least top four. Boys Over Flowers, My Lovely Sam Soon, City Hunter, My Love From Another
369
00:27:25,840 –> 00:27:29,540
Star, and then I have Descendants of the Sun here, which I remember really liking, but
370
00:27:29,540 –> 00:27:33,260
I’m like, damn, is it, did I like it enough to put in my top five? Maybe I did.
371
00:27:33,260 –> 00:27:37,700
V: I don’t think I’ve seen Descendants of the Sun. I have seen My Love From Another Star.
372
00:27:37,700 –> 00:27:41,700
That was a cute one. Yeah, I haven’t decided if I want to see Descendants of the Sun or
373
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not. It’s on my list, but every time I look at it, I don’t know. I guess I’m confused
374
00:27:45,660 –> 00:27:48,620
about the vibes, but I’ll watch it one day.
375
00:27:48,620 –> 00:27:49,620
V: It was definitely cute.
376
00:27:49,620 –> 00:27:51,420
D: My watch list is very long.
377
00:27:51,420 –> 00:27:52,420
V: Yeah.
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00:27:52,420 –> 00:27:56,660
D: So listeners, just know if you recommend dramas to me, I will add them to the list, but the
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00:27:56,660 –> 00:27:57,660
list is so long.
380
00:27:57,660 –> 00:28:03,740
V: No, that’s me too. I feel my friend will recommend me K-dramas. So I got her into K-dramas after
381
00:28:03,740 –> 00:28:09,060
I got into K-dramas. She’s the one I ended up going to South Korea with. And she still
382
00:28:09,060 –> 00:28:12,260
watches them and she’ll be like, you need to watch this one. It’s so good. And I’m like,
383
00:28:12,260 –> 00:28:16,380
yeah, I’m gonna get to it. And I never do. And I feel so bad. She’ll be like done with
384
00:28:16,380 –> 00:28:21,500
it in like three days. She’s like, did you watch it? I’m like, no, I didn’t. I’m sorry.
385
00:28:21,500 –> 00:28:24,340
I will eventually, I promise. Just not.
386
00:28:24,340 –> 00:28:25,540
D: There’s so much.
387
00:28:25,540 –> 00:28:29,820
V: It’s like between now and like three years from now, I will watch it.
388
00:28:29,820 –> 00:28:31,620
D: But I will watch it. That’s the thing.
389
00:28:31,620 –> 00:28:37,100
V: Right. It just may take me up to three years or more. But eventually I’ll get to it and
390
00:28:37,100 –> 00:28:40,460
I’ll call her back. Sometimes I do watch it and I’ll call her back. I’m like, oh, I watch
391
00:28:40,460 –> 00:28:44,780
that show. She’s like, what show? I’m like, you know, the one you recommended me. She’s
392
00:28:44,780 –> 00:28:48,900
like, I finished that one months ago. What are you talking about?
393
00:28:48,900 –> 00:28:51,700
D: Girl, don’t come to me with all that now.
394
00:28:51,700 –> 00:28:54,420
V: I don’t even remember these characters.
395
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D: I forgot you said you went to South Korea. What was that like? I’ve heard great things,
396
00:28:59,460 –> 00:29:04,260
but also whenever I’ve expressed to people who aren’t really into like the pop culture
397
00:29:04,260 –> 00:29:08,140
of it all, like, oh, I want to go to South Korea. And always the refrain is, aren’t they
398
00:29:08,140 –> 00:29:12,220
racist over there? V: Yeah. D: Which I’d like to respond with people racist over here.
399
00:29:12,220 –> 00:29:15,020
V: True. Everywhere, really.
400
00:29:15,020 –> 00:29:17,540
D: Right. Really.
401
00:29:17,540 –> 00:29:22,620
V: It was, I enjoyed it. So before we went to South Korea, I went to Tokyo and I feel like
402
00:29:22,620 –> 00:29:27,260
I really liked Tokyo. So South Korea was kind of like paled in comparison a little bit.
403
00:29:27,260 –> 00:29:31,300
And I felt really bad. But so I went to Seoul, Busan and Jeju Island.
404
00:29:31,300 –> 00:29:34,100
D: I want to go to Busan so bad. I hear great things.
405
00:29:34,100 –> 00:29:38,340
V: Busan was my favorite because we were right near the beach and it was just like, it felt
406
00:29:38,340 –> 00:29:42,860
very relaxing and just like there was a lot of fun stuff, a lot of artsy stuff. So that
407
00:29:42,860 –> 00:29:48,860
was my favorite. I actually didn’t encounter no hostile racism, I’ll say. It was one instance
408
00:29:48,860 –> 00:29:52,220
that was maybe, but I couldn’t tell if they were being racist or just rude. Cause it was
409
00:29:52,220 –> 00:29:56,140
like we were at a club and you know, I feel like clubs and like bouncers and like coat
410
00:29:56,140 –> 00:29:59,980
check people just can be kind of rude in general, no matter where you are. So I don’t know if
411
00:29:59,980 –> 00:30:04,100
that was what that was, if they were just being racist. And then when I, when we went
412
00:30:04,100 –> 00:30:09,220
to Busan, you know, we were more like in the country area. And so there was an older Korean
413
00:30:09,220 –> 00:30:16,060
person who tried to touch my hair. But– D: I hear that happens a lot. It’s wild to me. V: Yeah.
414
00:30:16,060 –> 00:30:20,660
But like there are at least, at least 60, maybe 70, which of course, you know, should
415
00:30:20,660 –> 00:30:25,420
still know better than to like touch strangers. But it was like, okay, you’re, you’re older.
416
00:30:25,420 –> 00:30:30,060
We’re like in the middle of like, cause we had to take a bus and we had like a layover.
417
00:30:30,060 –> 00:30:33,380
And so we’re like really in the middle of like nowhere. So I’m like, you may not have
418
00:30:33,380 –> 00:30:38,380
actually seen a Black person before. So like I’m like, I’m going to must move out way,
419
00:30:38,380 –> 00:30:45,080
but I won’t yell at you. But that was it. I feel like because so many Black people have
420
00:30:45,080 –> 00:30:49,060
moved there, because as you probably know, like a lot of people that teach English there
421
00:30:49,060 –> 00:30:52,940
or like do other jobs, some are just have moved there. I feel like at least in like
422
00:30:52,940 –> 00:30:57,020
Seoul, like they’re kind of used to us now. D: Yeah, it’s getting much more, I mean, it’s
423
00:30:57,020 –> 00:31:02,260
still very low percentages, but when you go from like 99% Korean to even like 97, I don’t
424
00:31:02,260 –> 00:31:06,940
know the statistics these days, it’s still a big shift and they have more, you know,
425
00:31:06,940 –> 00:31:11,980
multicultural people, Black people specifically in their media, right? Like Sam Okyere,
426
00:31:11,980 –> 00:31:16,820
which I mean, is he in the media anymore? We’re rooting for you Sam. V: I saw him on something
427
00:31:16,820 –> 00:31:22,020
recently and I was like, bro, you’re still out here. Let’s go Sam. D: He got back on some
428
00:31:22,020 –> 00:31:26,420
sort of show and I was like, Oh, look at him. It was so funny though, not to call him out
429
00:31:26,420 –> 00:31:30,660
his name. I don’t think we have any Korean listeners, so it’s fine. But he went on this
430
00:31:30,660 –> 00:31:35,460
show and again, he’s, you know, apologizing for what he did for people who don’t know
431
00:31:35,460 –> 00:31:42,180
and very, very brief, he was calling out blackface of these students. This was, I think 2020 that
432
00:31:42,180 –> 00:31:45,980
they had done in South Korea, somewhere in the country, a school of high schoolers, I
433
00:31:45,980 –> 00:31:50,500
think they’d done blackface. It’s a problem. He called it out. There was a big uproar.
434
00:31:50,500 –> 00:31:54,300
He had to apologize. He lost all his work, etc, etc. It was bad. V: I did not hear about
435
00:31:54,300 –> 00:31:59,900
any of that. So thank you for that little recap. D: Oh, it was, it was a lot. So that’s
436
00:31:59,900 –> 00:32:06,100
why he stopped working and he was on a lot of shows. He lost all of his work, but he
437
00:32:06,100 –> 00:32:10,020
recently was on something and in that show, he was again apologizing, like he had bowed
438
00:32:10,020 –> 00:32:13,140
down in front of the media, like all this stuff. But again, he was apologizing on the
439
00:32:13,140 –> 00:32:17,380
show. But a couple of weeks prior to that, or maybe a couple of months, he was on Jubilee
440
00:32:17,380 –> 00:32:22,180
and they have this show. It’s a YouTube channel, Jubilee. They have just a concept of a show
441
00:32:22,180 –> 00:32:27,480
where you stand in line if you agree, disagree, strongly disagree, and then like in the positive
442
00:32:27,480 –> 00:32:31,180
the other way. But with black people living in Japan, they did one with Black people living
443
00:32:31,180 –> 00:32:36,060
in India, maybe and then Black people living in South Korea. And he was on that episode
444
00:32:36,060 –> 00:32:40,020
and he was not that apologetic on that episode. Let me tell you. V: He’s like, I already lost
445
00:32:40,020 –> 00:32:44,660
my brand deals. Like– D: Yeah, he’s like, that was rough. Y’all didn’t have to do all that.
446
00:32:44,660 –> 00:32:48,540
But then he goes on the show later. He’s like, yes, I’m still so sorry. But he knows his
447
00:32:48,540 –> 00:32:53,420
audience. You know, shout out to him. Get the bag. I get it. V: Absolutely. D: But yeah, you’re
448
00:32:53,420 –> 00:32:57,820
seeing more Black models going back to people in the public perception, Black models in
449
00:32:57,820 –> 00:33:04,300
South Korea. Multicultural families are gaining in prevalence, too. So I have hope that things
450
00:33:04,300 –> 00:33:08,080
are changing over there. And it definitely does seem to be the case with the younger
451
00:33:08,080 –> 00:33:14,660
generation, which also gets me really hyped for this podcast. I think the points of connection
452
00:33:14,660 –> 00:33:18,340
have a lot of potential through our pop culture, have a lot of potential to do good works in
453
00:33:18,340 –> 00:33:23,060
these places where they’re trying to transition from such a like, homogenous outlook, I guess
454
00:33:23,060 –> 00:33:29,740
you could say. But also, I think we also have to do work as Americans not be so culturally
455
00:33:29,740 –> 00:33:34,580
imperialist about it? V: Yeah, definitely. You know, I never realized how quote unquote American
456
00:33:34,580 –> 00:33:39,380
I was until I went to Tokyo and South Korea. Because then you realize like, wow, I’m very
457
00:33:39,380 –> 00:33:47,220
loud. And it’s like, all these things. But also quickly, South Korea was the first place
458
00:33:47,220 –> 00:33:52,980
I saw Black mannequins. D: Really? V: Yeah, it was very early. So we’re like brown mannequins.
459
00:33:52,980 –> 00:33:57,300
And it was just like, wow, I’ve never I didn’t realize I didn’t see that before. And I was
460
00:33:57,300 –> 00:34:01,140
like, this is the first time I’ve seen it. And I’m in South Korea. D: That is so interesting.
461
00:34:01,140 –> 00:34:06,260
Yeah, I, I’m real fascinated to see where they go. Not South Korea, but a lot of these
462
00:34:06,260 –> 00:34:12,180
homogenous countries. Speaking of cultural exchange, you do content about Sailor Moon,
463
00:34:12,180 –> 00:34:17,400
which is an anime. And I was wondering what you think about how we as content creators
464
00:34:17,400 –> 00:34:23,940
can encourage healthy cultural exchange versus leaning into the negative or having listeners
465
00:34:23,940 –> 00:34:28,300
who might be new to the concepts of things like cultural appropriation, stuff like that.
466
00:34:28,300 –> 00:34:33,220
V: I mean, on the content creator side, I think making sure you’re doing research and just
467
00:34:33,220 –> 00:34:39,540
like checking yourself or checking like, with friends like, hey, this is this is bad. This
468
00:34:39,540 –> 00:34:43,420
is offensive. Should I say that I shouldn’t say this? Or, yeah, just having like people
469
00:34:43,420 –> 00:34:46,660
who can be real with you or just like being real with yourself and making sure that you
470
00:34:46,660 –> 00:34:51,220
know, you’re listening to other people who are part of those cultures. And I think for
471
00:34:51,220 –> 00:34:55,820
both ways, one of the things I try to do is like on Twitter, when people talk, I listen,
472
00:34:55,820 –> 00:34:58,660
you know, when they say something like, this is something that’s affecting me and here’s
473
00:34:58,660 –> 00:35:02,260
how it affects me. Like, I’m like, oh, I didn’t think about that. Or, oh, I didn’t know that
474
00:35:02,260 –> 00:35:05,740
because you know, I recognize my own ignorance of things. And I would hope that other people
475
00:35:05,740 –> 00:35:09,100
do the same thing and just, you know, be real with yourself about what you know and what
476
00:35:09,100 –> 00:35:13,460
you don’t know. Yeah. And even like, there’s some stuff I’m like, I don’t really understand
477
00:35:13,460 –> 00:35:16,260
why you’re struggling here. But if you say you’re struggling, I’m just going to believe
478
00:35:16,260 –> 00:35:21,420
you and go about my way. And believe that. And say, if this bothers you, I don’t understand
479
00:35:21,420 –> 00:35:25,380
why it bothers you. But if you say it bothers you, I won’t do it. Or, you know, I will stand
480
00:35:25,380 –> 00:35:30,060
behind you when we tell other people not to do it. Just being empathetic and compassionate
481
00:35:30,060 –> 00:35:33,700
and listening to others and checking yourself.
482
00:35:33,700 –> 00:35:37,780
D: Checking yourself is underrated. We all have to do it from time to time. And it can be
483
00:35:37,780 –> 00:35:41,820
uncomfortable, but I strive to do it. And I urge my listeners to strive to do it.
484
00:35:41,820 –> 00:35:46,020
V: Yeah, because I mean, as much as like we call out other cultures for cultural appropriation,
485
00:35:46,020 –> 00:35:48,620
I think Black people, I know that’s what I’m saying. Like with me checking myself, when
486
00:35:48,620 –> 00:35:51,700
I first got into Korean culture, I’m like, I had to check myself because you know, you
487
00:35:51,700 –> 00:35:56,260
can, it’s like, oh, Korea, Korea. And it’s like, wait, like, you don’t know everything.
488
00:35:56,260 –> 00:36:00,900
This isn’t your culture. D: Especially with K-dramas, again, like we said, it’s hard and fast. If
489
00:36:00,900 –> 00:36:05,500
y’all are listening at home or not into K-dramas, it’s hard and fast. And you envelop yourself
490
00:36:05,500 –> 00:36:10,700
in that world. It’s very easy to, you know, cross that line over into like, oh, wait,
491
00:36:10,700 –> 00:36:14,540
this is maybe, maybe I need to back off a little. What has been your proudest moment
492
00:36:14,540 –> 00:36:17,700
as a creator in fandom thus far?
493
00:36:17,700 –> 00:36:22,500
V: This is a hard week to ask me this because I just had like some good moments. I’ll say
494
00:36:22,500 –> 00:36:28,100
two at least. I think one having Saweetie on the podcast, I think that was just like
495
00:36:28,100 –> 00:36:31,820
really great. That was like when I started the podcast, I was like, if I can get Sasha
496
00:36:31,820 –> 00:36:37,020
Banks, who’s now Mercedes Monet and Saweetie and Lizzo on the show, those are like my dream
497
00:36:37,020 –> 00:36:42,900
guests. And just being able to do the podcast in general and seeing like it being received
498
00:36:42,900 –> 00:36:46,300
so well. Cause when I started it, I was just like, I think this is it. I think this will
499
00:36:46,300 –> 00:36:51,620
do good. And it’s just been like, oh, it was actually happening. Cool. Just recently at
500
00:36:51,620 –> 00:36:56,740
C2E2, they let me like kind of curate a space called the Sailor Moon Fan Clubhouse.
501
00:36:56,740 –> 00:37:00,140
So I was kind of able to like put together an area where like you could watch Sailor
502
00:37:00,140 –> 00:37:05,660
Moon and color. So there was like Sailor Moon coloring pages and like colored pencils. And
503
00:37:05,660 –> 00:37:09,220
I had like Sailor Moon Monopoly and some other Sailor Moon games and playing cards for people
504
00:37:09,220 –> 00:37:14,300
to play. And it was just like a chill little space and just very Sailor Moon themed. And
505
00:37:14,300 –> 00:37:17,540
those are the kinds of things I want to start doing more often. Cause I would love to just
506
00:37:17,540 –> 00:37:22,500
like gather more anime fans or gather, especially Sailor Moon fans, just kind of give us some
507
00:37:22,500 –> 00:37:26,800
fun activities to do every so often or fun like ways to get together. Cause every time
508
00:37:26,800 –> 00:37:31,100
like I talk to people online or even like get together for stuff in person, they’re
509
00:37:31,100 –> 00:37:34,980
like, oh, like we don’t have this or you know, it’d be great if we can do this more. And
510
00:37:34,980 –> 00:37:37,860
so I’m hoping that I can do that.
511
00:37:37,860 –> 00:37:42,380
D: What was it like seeing that space you imagine fully realized in person and actually happening
512
00:37:42,380 –> 00:37:43,860
and people enjoying it?
513
00:37:43,860 –> 00:37:48,740
It was so good. Like I think I go into most things with like very, not low expectations,
514
00:37:48,740 –> 00:37:55,580
but maybe like neutral expectations. And so when things are like going, wow, I’m like,
515
00:37:55,580 –> 00:37:59,180
oh wow, cool. It was just really nice seeing like people sit down and watch Sailor Moon
516
00:37:59,180 –> 00:38:02,660
and seeing people’s reaction whenever they saw that we were playing Sailor Moon in the
517
00:38:02,660 –> 00:38:05,500
area. Like people would stop and be like, they’re playing Sailor Moon. And like you
518
00:38:05,500 –> 00:38:10,780
could see people kind of become like little kids again. And I don’t know many things that
519
00:38:10,780 –> 00:38:14,100
can do that to people. So that was, that was really nice.
520
00:38:14,100 –> 00:38:18,660
D: That’s so neat. What are your hopes for the future of anime fandom or just general cross
521
00:38:18,660 –> 00:38:19,660
cultural fandom?
522
00:38:19,660 –> 00:38:24,980
V: I mean, maybe cool to see more, I guess more collaboration, more, I guess, understanding
523
00:38:24,980 –> 00:38:33,420
this in general, less hate and less ignorance in general. Yeah. I think people having more
524
00:38:33,420 –> 00:38:37,860
fun and just like getting together because we both enjoy the same things.
525
00:38:37,860 –> 00:38:38,860
D: Fandom should be fun.
526
00:38:38,860 –> 00:38:40,420
V: Fandom should be fun.
527
00:38:40,420 –> 00:38:41,420
D: I agree.
528
00:38:41,420 –> 00:38:44,980
V: That’s what I always tell people on the podcast. I’m like, it doesn’t matter. Because people
529
00:38:44,980 –> 00:38:47,940
like be apologetic about like, oh, I only watched the English one. I haven’t watched
530
00:38:47,940 –> 00:38:51,500
the Japanese one. Or I’ve only watched it recently like you. And I’m just like, it’s
531
00:38:51,500 –> 00:38:56,460
fine. Like as long as you’re a fan, that is the only requirement to be on the show. Like
532
00:38:56,460 –> 00:39:01,220
you don’t need to know like every voice actor or like the English dub versus the Japanese
533
00:39:01,220 –> 00:39:06,180
dub, or you’ve seen Crystal or read the manga. It’s like if you’ve only seen like a few episodes
534
00:39:06,180 –> 00:39:10,380
of the show and you really loved it or you liked it, like you’re a fan and that’s it.
535
00:39:10,380 –> 00:39:13,940
Less gatekeeping, more fun. That’s the takeaway.
536
00:39:13,940 –> 00:39:16,140
D: I love that.
537
00:39:16,140 –> 00:39:18,620
Is there anything else that you hoped we had more time for?
538
00:39:18,620 –> 00:39:23,980
V: I mean, we can talk more about Lee Minho or Gong Yoo.
539
00:39:23,980 –> 00:39:29,020
We might have to have a whole part two just to expound on the merits of Gong Yoo and his
540
00:39:29,020 –> 00:39:30,020
features.
541
00:39:30,020 –> 00:39:33,860
Yeah, but other than that, no, I don’t think so. This is great. This is so much fun.
542
00:39:33,860 –> 00:39:37,300
D: Thank you so much. I thank you so much for coming. Where can the good folks find you?
543
00:39:37,300 –> 00:39:40,180
I know you’re on hiatus, but plug what you can where you can. Go ahead
544
00:39:40,180 –> 00:39:45,700
Yeah, I mean, I still tweet. So you can find me on Twitter at Miss Old School. Same on
545
00:39:45,700 –> 00:39:53,460
Instagram. That’s old school with a K. So M-I-S-S-O-L-D-S-K-O-O-L. And you can also find me the podcast,
546
00:39:53,460 –> 00:39:56,980
Sailor Moon Fan Club, wherever you listen to podcasts, there are like over 100 episodes.
547
00:39:56,980 –> 00:40:02,740
So plenty to catch up on while I’m on hiatus. It will probably be returning later this year.
548
00:40:02,740 –> 00:40:07,500
And you can find that on Moonies Club on Twitter and Moonies underscore club on Instagram.
549
00:40:07,500 –> 00:40:11,580
And then I do TikToks every so often. So you can find me there on Sailor Victoria.
550
00:40:11,580 –> 00:40:16,060
D: Much respect about you doing TikToks. I cannot, but I have so much respect for those who do.
551
00:40:16,060 –> 00:40:21,420
V: I do one maybe every like four months. So don’t respect me too much.
552
00:40:21,420 –> 00:40:26,140
D: Okay, y’all. Well, thank you so much for listening. You can let me know what your first fandom
553
00:40:26,140 –> 00:40:31,660
is. I am curious. You can do that at Culture X Podcast on Twitter or Instagram, not TikTok. Sorry.
554
00:40:32,460 –> 00:40:37,260
And you can join us next week where we will be joined by Black Girl Seoul. We’ll be talking about
555
00:40:37,260 –> 00:40:57,100
K-dramas and being Black in K-drama fandom. Until then, keep it chill and keep it nerdy.